Dana Cretsinger - Creative Director
MUSICAL THEATRE DIRECTOR, VOICE
Originally from Iowa, Dana Stephens started dancing at three and began performing on stage professionally when she was nine years old. By the time she finished high-school she had already performed many coveted female roles for numerous theatres nationwide. She studied Vocal Performance at Oklahoma City University which is world-renowned for its demanding and professional vocal training, producing award-winning vocalists such as Metropolitan Opera legend Leona Mitchell, Chris Merrit, Marquita Lister, Sarah Coburn, and Broadway superstars Kristin Chenoweth and Kelli O'Hara.While in Oklahoma she also studied dance under OCU's Patricia Oplotnik and Billie Thrash winning numerous awards in competitions. In 2007 she became teaching certified in Speech Level Singing (SLS Level 1) and KinderMusik. In addition to training and experience Dana owned, operated and taught piano, dance and voice at Academy of Music & Dance in Oklahoma. She has worked and collaborated with multiple, award winning recording artists. Many of her past students have recorded albums that have been featured on soundtracks or received radio air time and several are currently acting in shows in New York, dancing in Disney, performing in Branson, MO, or acting in film in California.
Voice, Director of Musical Theatre
Mark is originally from Houston, TX and is excited to be joining the Spark team and providing education to the next generation of performers. Mark is a recent graduate of the Weitzenhoffer School of Musical Theatre at the University of Oklahoma with a BFA in Musical Theatre, and is also an Alumnus of the Humphreys School at TUTS. Over his past 10 years of performing he has traveled Bi-coastally and many places in between to perform. Performance credits include: OFF-BROADWAY: Kissless (Cory) REGIONAL: Lyric Theatre of OKC: Assassins (John Hinckley), Oklahoma City Rep/ATC Tulsa: Pryor Rendering (Dewar), SRT: Merrily We Roll Along (Franklin Shepard), Rock of Ages (Stacee Jaxx), Nice Work if You Can Get it (Duke), Sooner Theatre- Bonnie and Clyde (Clyde)… and More. Mark has found himself spending lots of time on the theatre education side as well. In addition to working educationally at places like The Humphreys School, Stageworks, and The River Foundation, Mark has worked along side artists such as Adam Pascal, Laura Osnes, Wesley Taylor and more. Mark hopes to bring his knowledge as an actor and singer to young artists in many different styles and techniques of performance.
Dance, Theatre director, Art
Raised in a performing arts household in Houston, Katie was trained in piano, voice, acting, visual art, and dance as a child. Though she was first an on-camera actress, she discovered a love for musical theater by age 9 and began performing on stage. She attended HSPVA for dance, then was invited to be a Director/Choreographer's assistant at HITS in 2000. She taught acting and dance at Main Street Theater, expanding their outreach program to at risk youth in 2001 before pursuing a career in mental health. Katie worked for both the Arizona Department of Behavioral Health Services and the Regional Behavioral Health Authority during which time she piloted programming for at risk youth. In reprieve from her clinical work, she developed performing arts programs for at risk youth within the Quality Care Network as well as for other non-profit performing arts agencies. While still in Phoenix, she taught on-camera acting for Elizabeth Savage Talent, musical theater for Desert Foothills Community Theater, and was the resident Theater/Dance Teacher for Bella Vista Private School. Returning home, Katie resumed teaching while acting as the Senior Associate Director and Choreographer of Aeon Theatrix. She has since taught at Wildfish Theater, Main Street Theater, and The Shlenker School, among other places, and has been a guest teacher at TUTS and Houston Ballet. Katie now feels honored to be counted among the talented teachers at Spark and is excited to be sharing a passion for the arts with such truly amazing kids.
A California native, Amira has been performing and teaching theatre for over 15 years. In California she worked at noted regional theatre California Musical Theatre, in their Education departmen. She also ran her own private acting studio, Get Dramatic! Performing arts. She began performing early on, and by the time she moved to Texas had performed major roles in theatres all over the area, and continued performing in Houston, including a role in the West Coast premiere of “Nine Parts of Desire.” Other notable roles include 2 productions of “Macbeth” as Lady Macbeth, Trinculo in “The Tempest”, Marta in “Company” and many others. After moving to Houston Amira earned her Master’s degree in Theatre from the University of Houston with a focus in education. She had the opportunity to work and take workshops in New York, with Tom Lee of Handspring puppetry, and had an opportunity to study and expand her love of Shakespeare and classical performance in Chicago and with RADA in London. Amira loves teaching and helping students to find their own personal strengths through exploring theatre and performance.
Performing Arts, Choreography
Michelle Bowen is new to Texas but feels right at home here! She and her husband (Brad), and their six children moved from Idaho in August-- immediately following the final curtain on their most recent family production, Tarzan. Michelle has been directing and teaching Children’s music and performing Arts for the past eleven years and is excited to “get going” again! She has been the choreographer for many productions, but her favorites include; Bandito Rides Again, Tarzan, Aladdin, Wizard of Oz, and Beauty and the Beast. Her love for the stage grew when she was cast in Annie, Hello Dolly, Babes in Toyland, Joseph and the Amazing Technicolor Dreamcoat (where she got to know her DREAM guy and future husband, Brad...), Bye, Bye, Birdie, Noteworthy Show Choir at ISU, and more recently Oklahoma and Thoroughly Modern Millie. She is the former chairman of Blackfoot Junior Miss (Distinguished Young Women) and enjoys doing custom graphic design work and photography. She has her own little “drama club” at home with six beautiful (and talented) children who also love music and performing.
Theatre director, Dance, Voice, Shakespeare
Desi Stephens is a Musical Theatre Major from Manhattan School of Music in New York City. She has been performing locally in the Houston area for the past four years in musicals, plays, competitive dance, and Shakespeare. In 2014 she became certified in Stage Combat. Desi was cast in the professional production of Hairspray at The MUNY in St. Louis Missouri where she was directed by Tony nominated director Dan Knetchges and worked along side award winning actors Bryan Batt (Mad Men), Taylor Louderman (Peter Pan Live) and more! Desi has also appeared in as a model in Vogue magazine and as an actress in the HBO series The Deuce. Aside from performing she's choreographed productions for HFAC (Zombie Prom, Seussical, Dinosaurs Before Dark) and Spark (Beauty & The Beast, Lion King, Seussical, Once On This Island). Desi is very excited to be back home in Houston this summer to share her passion for the arts with Spark students before returning to pursuing her own creative aspirations in New York City!
Shakespeare, Stage Combat
Eric Domuret is an experienced actor and director both nationally and abroad. Eric received his BFA in Acting from Texas Christian University and an MFA in Theatre Directing from Middlesex University in London, England.
Some of Eric’s directing credits include Macbeth, You’re a Good Man Charlie Brown, The Miracle Worker, and The Crucible. Eric had the privilege of directing an original work Hildeguard: A Song of Surrender with Femme Sol Theatre Company. He has also written and directed Ismay’s Inquiry which was performed at Studio 7 in London, England. Eric was the fight choreographer for the Trinity Shakespeare Festival in Fort Worth for four seasons. His choreography for Macbeth was chosen by Mark Lowery as Dallas/Fort Worth theatre’s best choreography for the year.
Acting credits include Les Miserables (Jean Valjean) HFAC, Plaid Tidings (Jinx) MJR Theatricals, The Best Christmas Pageant Ever (Bob Bradley), Duck Variations (George), Mountain Language (Sargent), Forever Plaid (Jinx), Forever Plaid (Frainkie) Troupe America Tour, Titanic: The Musical (Barret) Lyric Stage, Side Show (Terry Conner), Fool for Love, As You Like It, Henry V. In August of 2014 Eric will be playing the role of Dan in MJR Theatrical’s production of Next to Normal.
Eric is committed to theatre education. A proud father of five, Eric Domuret truly has a heart for sharing his passion with students of all ages. He had the privilege of being trained by Leon Rubin and Dame Janet Suzman of the Royal Shakespeare Company. He has studied playwriting with playwright David Edgar. Eric has also studied Meisner acting and acting pedagogy with Larry Silverberg of the True Acting institute. He has taught theatre at a number of private institutions and universities, and was a full time theatre teacher in the Texas Public School Systems for six years. In December, Eric will be presenting a workshop on the Greek Theatre and contemporary acting techniques at the IUGTE International Theatre Conference in Tuscany, Italy. Eric is currently the Assistant Professor of Drama at the University of St. Thomas here in Houston. You can contact or keep up with Eric on his website www.domuret.com.
Nicole Domuret is proud to be working with Create A Spark Foundation especially with her love for the understanding of theatre and performance at a young age. After receiving her education at SAGU in Theatre Business, she began a performance career in DFW for 8 years. She has previously been seen on the professional stage in DFW at Lyric Stage, Theatre Three, and Garland Civic. Some performances include Carnival! (Rosalie), The Philadelphia Story (Tracy Lord), Father of the Bride (Kay), Anything Goes! (Bonnie), Midsummer Night's Dream (Titania) and Gentlemen Prefer Blondes (Dorothy Shaw). Nicole had the privilege of performing in the world premier of Mirette, The Musical and Dallas Summer Musical's Zeigfeld Follies. She is currently the Theatre Performance Teacher with Aquinas School through the University of St. Thomas. She has had the pleasure of directing several plays in DFW and Houston theatres. Her favorites include Goldilocks on Trial, Black Comedy and Cinderella and the Substitute Fairy Godmother. Nicole is also the regional stage manager for Keith & Margo Murder Mystery Texas out of Los Angeles. She has taken the last 10 years to raise her 5 children and work on her health and fitness company, Gut Feeling. She has the pleasure of speaking at national homeschool conferences to parents about the importance of better health and runs a successful bootcamp business in North Houston. nicoledomuret.com
Theatre Director, Percussion, Guitar
Mackenzie Haley is a native Texan who was raised in a family full of musicians and performers. She is a singer-songwriter, trained theatre actress, guitarist and professional percussionist. Mackenzie began teaching drum and guitar lessons 4 years ago and thoroughly enjoys watching her young students grow. Her areas of expertise include acoustic guitar, snare drum and Latin percussion. Mackenzie began acting on stage at the age of 10. Her family helped to found Tex-Rep, a Texas-based community theatre program. She has acted in over 15 stage productions.
Cassidy Richards started dancing at the age of six in a local studio called Dana's Dance and Gymnastics under the direction of Dana Keuhl and Kara Nordin. After developing a love for dance at a young age she went on to continue her education through San Jacinto South, where she majored in dance with an emphasis in Mondern. There she became a member of the San Jacinto dance company where she had the opportunity to travel and perform in shows for; American College Dance Festival Association ( ACDFA), Dancers Against Cancer, Broadway Dance Center in New York and Houston Arts Festival. In 2012. Cassidy became a member of Vibe Dance Company where she had the opportunity to be in pieces for Tanoya Smith, Tyler Davis and Megan Sannet. Cassidy has danced in Music videos, concerts and continues toI learn and take classes as often as she can.
Advanced Ballet, Jazz, Contemporary
Ashley Clos is a choreographer, teacher, and freelance writer from The Woodlands, TX. She received a Master of Fine Arts degree in Dance from Sam Houston State University in May of 2017. Ashley’s choreography and research has been showcased at the Ailey Citigroup Theater in New York City, the American College Dance Association South-Central Adjudicated and Informal Concerts, and the Southwest Popular/American Culture Association Conference in Albuquerque, NM. During her time at SHSU, she was privileged to perform in works by Dionne and Andy Noble of NobleMotion Dance, Erin Reck of Recked Productions, Dana Nicolay of Nicolay Dance Works, guest artist Jane Weiner of Hope Stone Dance, as well as the late, great Jonathan Charles-Smith. Ashley currently lives in Houston, TX with her partner Stefan and their dog Junebug.
Breeya Harrison is twenty-four years old from Houston, Texas. She acquired her BFA in Art with a specialization in Graphic Design and BA in Theater with a specialization in Dance from Barry University in Miami Shores, Florida in December of 2015.
She started as a Hip Hop dancer but her passion for dance really began to blossom when she joined the dance team in High School. Dancing on a team and a variety of dance styles was a challenge but due to her dedication, persistence, and hard work, Breeya's dance and technical abilities improved drastically. Over the years, she advanced from a team member to holding two dance officer positions: Third Lieutenant her junior year and Second Lieutenant her senior year of high school.
She began university with Dance as her minor but added it as a second major her junior year. She was elected as the Captain of the Barry University Dance Team from2013-2014 and 2014-2015 school years. She was also a member of the dance company at her university, B.U.R.D.E., (Barry University Repertory Dance Ensemble) from 2012-2015.
During her final semester of university, she choreographed her senior dance showcase. For the showcase. She completed all choreography, costuming, scheduling of photo-shoots, as well as the planning of the lighting for the show and all graphic design work. She used the show as a platform to speak to a large group of people about life issues and call them to use their talents to positively impact others.
Breeya has performed and/or choreographed for an array of events such as football/basketball games, dance concerts, social justice events, homecoming, community events, competitions, Channel 6 Spirit Week, Downtown Disney, and pep rallies.
Post graduation she has taught contemporary, hip hop, jazz, Barre, and dance fitness classes as well as choreographed solos, duets, trios, and dance team routines.
Breeya describes her style as quirky but powerful. She prides herself in being versatile dancer and choreographer. Her favorite styles are Hip Hop, Jazz, and Contemporary.
Maria Eugenia Bieberach, ballet dancer and teacher, studied at Higher
College of Ballet in Lima, Peru and graduated with honors. She was awarded a
scholarship to pursue further training at the Colon Theatre in Buenos Aires,
Argentina. Maria worked for 1 year as staff dancer at the Ballet Municipal de
Lima Peru under Lucy Telge, and eventually became lecturer at the same
company soon afterwards. She was a soloist professional dancer at the
National Ballet de Peru for 17 years. Maria also took a course in Pedagogics in
Santiago de Chile. When evaluated by the Royal Academy of Dance in Great
Britain she received a distinction with honors. She has been lecturer and
teacher in several Ballet schools in Peru. Maria Eugenia was Mistress of the faculty
of Artisan School of Dance in Houston, TX, for 2 1/ 2 years (June 2006 -
September 2008). She then served as guest teacher at the Western Ballet in
Mountain View CA, summer program ( July- August.2008) . She then went on to work in
San Jose Ballet School in Silicon Valley CA (September 2008 - June 2009).
After returning to Houston she continued working in Artisan School of Dance
as Ballet Mistress (August 2009 - December 2015 ) I choreographed
many dances in Acts I and II of the Nutcracker productions, Sleeping
Beauty, and Coppelia. She most recently worked at TKB Ballet and is excited to be continuing to share her love of classical ballet and technique at Spark.
Practically ever since he was able to pick up a pencil, Ryan Shaw has been drawing. After many years of “cartooning” with pencil and paper as a hobby, and with the encouragement of friends and family, he decided to turn his love of drawing into his occupation. He worked hard to improve his skills, becoming a cartoonist, graphic designer, and published children’s book illustrator.
To date, Ryan has illustrated eleven children’s books for 4RV Publishing and LongTale Publishing, and in 2009 won 1st place in the nationwide ABC’s Children’s Book Competition. Ryan teaches drawing and illustration techniques for kids in grades 2 through 8 at Creative Writing and Illustration Summer Camps for iWrite Literacy Organization and Mark Kistler's Visual and Performing Fine Arts Camps.
It was through teaching at these camps that Ryan decided that he wanted to focus his talents more on inspiring kids directly to open up their creativity and imagination through drawing. In 2013, Ryan created Cartoon University (or “Cartoon U”) to help teach kids the building blocks of drawing cartoons through the use of shapes. With Cartoon U, he has created How to Draw books for kids of all ages that build upon this technique.
Ryan is member of the Society of Children’s Book Writers and Illustrators and works closely with the non-profit iWrite Literacy Organization.
The goal of Ryan’s lessons are:
* To inspire kids to expand their creativity and imagination through drawing.
* See for themselves the satisfaction in creating their own art, and cartoon characters
* Build their confidence to open doors to art, writing, and other activities they may have not thought were attainable.